MOURAD ASSOUIL
Mourad Assouil is a critically acclaimed conductor, Doctor of Musicology, and pianist, who has made significant contributions to the classical music scene, establishing himself as a prominent figure in conducting and music education in Belarus. With a strong foundation in musicology and performance, he has been able to bridge the gap between scholarly research and practical musicianship.
His early career milestones, particularly his tenure as the youngest principal conductor of Belarus, taking the post at Gomel Symphony Orchestra in 2014, underline his remarkable talent and leadership skills. Throughout his time with the Gomel Symphony Orchestra (until 2021), M. Assouil’s dedication to expanding the orchestra’s repertoire is evident through his organisation of over 50 diverse concert programs. This not only highlights his versatility in handling different musical genres – ranging from symphonic works to opera and ballet – but also shows his commitment to cultural enrichment. His guest conducting roles with the Belarusian State Academic Symphony Orchestra and the Capella Musical ‘Sonorus’ further showcase his collaborative spirit and influence in the broader musical community.
Since 2017, M. Assouil has gained recognition as a guest conductor, collaborating with various orchestras and ballet companies across Europe (Germany, Austria, Switzerland, France, Italy, Spain, Denmark and Sweden). In his concerts, Mourad Assouil often showcases a blend of classical masterpieces alongside contemporary works, highlighting the versatility and richness of orchestral literature.
His engagements in different cities enable him to connect with diverse audiences and innovatively promote classical music. Additionally, his involvement in classical ballets allows him to explore the intricate relationship between music and dance, enhancing the overall experience for performers and spectators.
Mourad Assouil’s accomplishments in the field of musicology, particularly his doctoral research on the theme of ‘Central Asian and Andalusian Oriental Thematism in the Works of Belarusian Composers of the 20th Century’, highlight his significant contributions to understanding the intercultural exchanges between Eastern and Western musical traditions. Through his scholarly work, Mourad Assouil has shed light on the lesser-known influences of Central Asian folklore on Belarusian composers, emphasizing the richness of musical dialogue across cultures.
By uncovering and analysing unpublished works that incorporate authentic folklore from Turkmen, Uzbek, Tajik, and Kyrgyz traditions, he not only enhances our understanding of Belarusian music history but also elevates the importance of cultural heritage in contemporary musical discourse. Moreover, integrating his research into the curriculum at the Belarusian State Academy of Music signifies a commitment to educating future generations of musicians and musicologists. His inclusion of topics like ‘The History of Piano Art’ and ‘Belarusian Musical Literature’ within course offerings promotes a deeper appreciation for the diverse influences that shape music in Belarus and encourages students to explore the intersection of folklore and contemporary composition.
Overall, Mourad Assouil’s pioneering work not only fills a gap in the existing scholarship on Belarusian music but also fosters an ongoing dialogue about the significance of cultural exchange in the arts. His contributions are likely to inspire
further research and exploration in both academic and musical communities. Mourad Assouil continues to inspire both audiences and aspiring musicians with his artistry, vision, and passion for classical music. His work has been characterized by a deep understanding of the symphonic repertoire and a dynamic approach to performance, which has garnered positive reviews from both audiences and critics alike.
